Greetings, I really want to start a home recording studio. I have a lot of decent preliminary recording equipment. Just a small list to show what we've collected so far. TC electronic Intonator Voice processor.

Groovetubes GT55 condensor microphone. 2 Shure SM57 M-audio Firewire 410 As far as software goes, I'm using Logic Express 7.2 on a Macbook 2.0 ghz.

Right, now thats about it. Now my question is, what would be the advantage of buying a mixer?

Free Audio Mixer For Mac

I've looked at various, such as the Alesis Multimix. Would it just be for adding more channels or what? And another question, using logic express, could multi-track mixing work using a mixer through the Firewire 410?

Thanks a lot you guys. I'm currently running a mixerless setup. I can record a maximum of 18 distinct channels at a time (though i don't have that many mics or preamps my typical chain: mic - preamp - -(ADAT)- digi002r - p'mac now, i have some friends whose stuff i mix sometimes. They live out of town and record themselves with an mbox, giving them only 2 channels at a time.

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They track one instrument at a time, but for drums, they use at least 4 mics. So what they do is run the 4 mics into a little yamaha mixer, mix it down to 2 tracks, and record that. This is suboptimal. They're making critical mix decisions at record time, without the benefit of a good monitoring system. It limits me a lot at mix time. So i do not recommend this route, unless it's the only way to record something. Another option is to buy a mixing board with direct outs and use those to record.

Using the mixer for its pre's and EQ's, but not its mixing section. I use to run a mackie board in this fashion, taking the channel direct outs into a digi001. (guess what - the mackie sounded like crap, and i ditched it and started buying dedicated preamps). That last option reflects many years of studio workflow, the big difference being replacing the tape machine with a computer. For cold's purposes, determine how many simultaneous channels you need. This will be dictated by the micing techniques for each instrument, and if the parts will be layed down one instrument at a time, or with the band playing together.

For example, let's say we're recording the typical drum / guitar / bass / vocalist band - four members, four instruments. We can get away with 8 channels of conversion with this scheme: 1. Scratch vox 8. (empty) or room mic working backwards, we see we need anywhere between 6 and 8 preamps (bass could be direct, 8th channel could be empty) and therefore between 6 and 8 mics. And to get those preamps, you either buy a number of dedicated pre's (my route) or a mixer, using the direct channel outs (a popular choice). With that 410, you're a little stuck, because it can take only 2 mics.

Mac Sound Mixer

For starters, you're going to want at least 4 on drums. Your option here is to either buy a new interface (with 4 or more channels), or buy an external preamp and use that on the line ins (caveat: make sure the 410 can truly handle 4 simultaneous inputs; i'm not certain that the front and rear inputs are available at the same time). A very nice starter pre is the.

Audio Interface For Macbook

Very capable pre, inexpensive for what it does, and its tracks stack very well with each other. Those pre's are miles better than what you've got in the 410. Hope that helps.

Applications from studio to on-location recording Even at such a small size, the Onyx Blackjack doesn’t compromise when it comes to sound quality, making it perfect for home studios or mobile recording applications that require a small interface with big studio sound. Being bus powered means you can take it anywhere your laptop can go for the freedom to capture beautiful recordings anywhere with the clarity and low-noise performance of the proven Onyx mic pres and the fidelity of high end Cirrus Logic AD/DA converters.